There have been a number of Lord of the Rings adaptations over the years, some better than others, and nothing starts a row amongst Tolkien fans faster than saying which adaptation is the best. But here I go with my half-penth, the best adaptation of Lord of the Rings is the 1981 BBC version by Brian Sibley and Michael Bakewell.
Why choose a radio drama from forty years ago as the best adaptation? Well the first advantage of the BBC version is that it is radio meaning that you have to use your imagination for the setting and the characters. Film and television dominate the mind tyrannising us with how things look as opposed to how things might look. My friend Jim also loves this version but I bet a pound to a penny that if you could see what he was imagining when the Nasgul hunts Frodo or the Eagle sings of the victory over Sauron to the city he will be seeing something quite different to me. Radio is the ultimate medium because it engages the imagination.
The BBC version boasts an all star cast of its day some of whom are no longer with us. This gives us a distinct advantage in that we do not see the actor and the character shines through better. John Le Mesurier is better known as Sgt. Wilson from Dads Army but his Bilbo is fantastic. Ian Holm, who played Bilbo in the recent film, plays Frodo and again gives an amazing performance running through a series of emotional highs and lows that brings the trial of the ring into sharp relief.
The musical score is sometimes criticised for being intrusive but I disagree. It is dramatic and powerful music, with a strong nod to Wagner, fitted for an apocalyptic narrative. Different songs are appropriate to different races for example the charge of Rohan at the Field of Pelennor is accompanied by a heroic song that inspires you to just want to jack in your day job, buy a horse and kill orcs for the rest of your life. Absolutely sublime.
One of the great points is that this adaptation is very true to Tolkiens epic but appears to miss out Tom Bombadil and the Barrow Wights. This is a tricky point because to some Tom is a blemish and to others like myself he is a vital part of the story. Whilst it is true that he is excluded from the adaptation it is also true that they did record Old Man Willow, Tom and the Barrow Wights and this can be heard in Brian Sibleys ‘Tales from a Perilous Realm’. The question is does it work? And it absolutely does. My only criticism of the BBC adaptation is that the Tom recording was excluded.
So to conclude it is my assertion that the BBC adaptation is the best and is a version I go back to again and again and again world without end. It is well written fully sensitive to the source material with a strong sense of epic, catastrophe and drama fitting the Downfall of the Lord of the Rings.
